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Chronicles of Narnia Art Set, Narnia Art Print Set, CS Lewis Quote Wall Decor Set, Literary Wall Art, Aslan Art Prints, Christian Nursery Although Lewis pleaded ignorance about the source of his inspiration for Aslan, Jared Lobdell, digging into Lewis's history to explore the making of the series, suggests Charles Williams's 1931 novel The Place of the Lion as a likely influence. [8] Wanberg, Nicholas (2013). "Noble and Beautiful: Race and Human Aesthetics in C. S. Lewis's The Chronicles of Narnia". Fafnir: Nordic Journal of Science Fiction and Fantasy Research. 1 (3) . Retrieved 28 October 2015.
The Voyage of the Dawn Treader" - Edmund, Lucy, and their obnoxious cousin Eustace, join Caspian, now King of Narnia, on a quest to find seven banished lords who had served his father. It doesn't seem all that religious until the end of the book, which encourages people to seek God in their own lives. Barrett, Justin L. (2010). "Some Planets in Narnia: a quantitative investigation of the Planet Narnia thesis" (PDF). Seven: an Anglo-American literary review (Wheaton College) . Retrieved 28 April 2018. Duriez, Colin (2015). Bedeviled: Lewis, Tolkien and the Shadow of Evil. Downers Grove, IL: IVP Books. pp.180–182. ISBN 978-0-8308-3417-4.
In 1984, Vanessa Ford Productions presented The Lion, the Witch and the Wardrobe at London's Westminster Theatre. Adapted by Glyn Robbins, the play was directed by Richard Williams and designed by Marty Flood. The production was later revived at Westminster and The Royalty Theatre and went on tour until 1997. Productions of other tales from The Chronicles were also staged, including The Voyage of the Dawn Treader (1986), The Magician's Nephew (1988) and The Horse and His Boy (1990). [ citation needed] The Chronicles of Narnia will forever have an especial place in my heart. Narnia is a magical place that feels me with warmth and dreams, hope and wishes. Just thinking about it brings a smile to my face. The Lion, the Witch and the Wardrobe by C. S. Lewis: Christian Allegory – Theme Analysis". LitCharts.com. SparkNotes . Retrieved 10 May 2020.
Lewis's early life has parallels with The Chronicles of Narnia. At the age of seven, he moved with his family to a large house on the edge of Belfast. Its long hallways and empty rooms inspired Lewis and his brother to invent make-believe worlds whilst exploring their home, an activity reflected in Lucy's discovery of Narnia in The Lion, the Witch and the Wardrobe. [36] Like Caspian and Rilian, Lewis lost his mother at an early age, spending much of his youth in English boarding schools similar to those attended by the Pevensie children, Eustace Scrubb, and Jill Pole. During World War II many children were evacuated from London and other urban areas because of German air raids. Some of these children, including one named Lucy (Lewis's goddaughter) stayed with him at his home The Kilns near Oxford, just as the Pevensies stayed with The Professor in The Lion, the Witch and the Wardrobe. [37] Influences from mythology and cosmology [ edit ]J. K. Rowling, author of the Harry Potter series, has said that she was a fan of the works of Lewis as a child, and cites the influence of The Chronicles on her work: "I found myself thinking about the wardrobe route to Narnia when Harry is told he has to hurl himself at a barrier in King's Cross Station– it dissolves and he's on platform Nine and Three-Quarters, and there's the train for Hogwarts." [66] Nevertheless, she is at pains to stress the differences between Narnia and her world: "Narnia is literally a different world", she says, "whereas in the Harry books you go into a world within a world that you can see if you happen to belong. A lot of the humour comes from collisions between the magic and the everyday worlds. Generally there isn't much humour in the Narnia books, although I adored them when I was a child. I got so caught up I didn't think CS Lewis was especially preachy. Reading them now I find that his subliminal message isn't very subliminal." [66] New York Times writer Charles McGrath notes the similarity between Dudley Dursley, the obnoxious son of Harry's neglectful guardians, and Eustace Scrubb, the spoiled brat who torments the main characters until he is redeemed by Aslan. [67]
The BBC produced dramatisations of all seven novels starting in the late 1980s and running into the 90s starring Maurice Denham as Professor Kirke. They were Originally broadcast on BBC Radio 4 In the UK. BBC Audiobooks released both audio cassette and compact disc versions of the series. [ citation needed] Terrific fantasy setting and storyline spoilt by extremely unsubtle allegory and (as the story progresses) excessive Christian preachiness. Warning: Racial stereotypes abound and may offend. Grundy, G. B. (1904). "Plate 8". Murray's small classical atlas. London: J. Murray . Retrieved 20 November 2019.
Susan, like Cinderella, is undergoing a transition from one phase of her life to another. Lewis didn't approve of that. He didn't like women in general, or sexuality at all, at least at the stage in his life when he wrote the Narnia books. He was frightened and appalled at the notion of wanting to grow up. [86]
